THE RED ELVISES AND A WEDDING ON THE HILL
our narrative snakes and spans—
there are scenes like landmarks along the way.
*
there’s the read elvises already half-way through their set
at the wild buffalo, and you’re already drunk. when you
escape the table to dance, i ask my friend your name, and
all he says is, “she’s taken, dude.” they introduce us, and two
weeks later you meet us at ihop for coffee and pancakes.
*
there’s the black-hole-of-an-apartment always reeking
of stale sweat and old cigarettes, where i get pretty good
at insulting you, and you get pretty good at dishing it back.
you’d come downstairs and join us on that black couch and
we’d pretend we didn’t want to shuck each other’s clothes off.
*
there’s the phone call, you angry, hurt, saying, “why are you so
mean to me?” and me apologizing, telling you i like you, that
i thought it funny—just a joke, that i didn’t mean anything.
*
there’s the horseshoe café two days later and my sweating palms,
and the three pall mall 100s i kill on the walk there. i know it
is friendly—just a cup of coffee and a truce—but i keep picturing
you naked, our bodies meshing, my lips and fingers learning you.
*
there’s the coffee shop where i tell you to leave him
and marry me, but you keep telling me to shut up.
and your face goes soft, then hard—
you are upset. i don’t think you believe me.
*
there’s the walks funneling through the brick of downtown, up
commercial, down
with good coffee, and me always answering your claims with,
“it really is.” this becomes a daily thing. i rise and clear my day for it.
*
there’s the corner of chestnut and
jacket, you in your grey coat, hood down, when i tell you i want to be with you,
and will wait till its over. you just shake your head and say, “ok, josh.”
*
there’s the park bench at boulevard, the sun in our faces,
the waves making beats on the shore, the wind blowing
our hair around, where you tell me it’s over with him. i want
to smile, but you’re hurt, and i say, “i’m sorry, you ok?”
and you say, “it was headed that way for a while, anyway.”
we stand and keep circling the park, talking about other things.
*
there’s the late pickup from campus, where you
drive us in silence to bum-park, blocks from my
apartment, and you’re acting strange, not really
looking at me, just ahead, your body straightened
and focused. you cut straight across the park to
where the creek is and sit us on the bench. “i was
feeling really weird when i went home,” you say
and part of me thinks this is where you kick me
to the curb, but instead you say, “i think you should
kiss
into your place, i stand on the balcony and look
down at the bench by the creek.
*
there’s the night after my show, when we drank
till we wanted to be naked and you came home
with me and in the morning i woke and you had left
*
there’s the secret we kept till beers at the beaver
where it split wide open—transparently in love—
and our other friendships turned on us, became
the dark space between hate and decency.
*
there’s the down-sized wedding ending in a backyard
overlooking big lake with our close friends and family,
and our friends band playing songs about being young
and ignorant of responsibility. we were worried about rain,
but the sun reddened our skin and that night in our hotel we
drank champagne colored by skittles we dropped to the bottom.
*
and here’s one year in our belt, where we gathered
a dog, an oncoming baby, and a need for
so, now we’re back home in the northwest,
waiting for the tail of october to whip around,
and catching what we can of this pacific summer.
OK. In other news/things to look at. Check out Uncanny Valley. My friends Mike and Tracy from NMSU have started this journal. They're cool people and have a really interesting taste with writing. Check it out. Read about it. Submit.
*
OK. I'm gonna eat some oatmeal.
laters.
Joshua
1 comment:
You are a sappy mofo, Joshie. See you tomorrow!
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